Berlin, Staatsbibliothek zu Berlin – Preußischer Kulturbesitz

External digital copy

D-B Mus.ms. Bach P 200

a thumbnail of the image
flyleaves and title page (J. C. Altnickol)
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I.
Contrapunctus 1
early version
(BWV 1080/1)
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II.
Contrapunctus 3
early version
(BWV 1080/3)
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III.
Contrapunctus 2
early version
(BWV 1080/2)
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IV.
Contrapunctus 5
early version
(BWV 1080/5)
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V.
Contrapunctus 9
early version
(BWV 1080/9)
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VI.
Contrapunctus a 4 (BWV 1080/10a)
[early version of Contrapunctus 10 (BWV 1080/10) (in the first edition extended)]
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VII.
Contrapunctus 6
early version (with rhythm variants)
(BWV 1080/6)
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VIII.
Contrapunctus 7
early version
(BWV 1080/7)
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IX.
Canon in Hypodiapason
early version of Canon alla Ottava (BWV 1080/15)
a) Canon clausus
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[IX.]
Canon in Hypodiapason
early version of Canon alla Ottava (BWV 1080/15)
b) Resolutio Canonis
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X.
Contrapunctus 8
early version
(BWV 1080/8)
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XI.
Contrapunctus 11
early version
(BWV 1080/11)
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XII.
Canon in Hypodiatessaron, al roverscio e per augmentationem
(the earliest version of BWV 1080/14)
a) Canon apertus
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[XII.]
Canon in Hypodiatessaron, al roverscio e per augmentationem, perpetuus
b) Canon clausus
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XIII.
Contrapunctus inversus [12]
early version
(BWV 1080/12, 1+2)
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XIV.
Contrapunctus inversus [13] a 3
early version
(BWV 1080/13, 1+2)
a thumbnail of the image
XV.
Canon al roverscio et per augmentationem
early version of Canon per Augmentationem in Contrario Motu
(BWV 1080/14)
(middle version = revised readings of Nr. XII)

Catalogue raisonné:
BWV / Bach-Werke-VerzeichnisBWV 1080
Link to works:
BWV 1080

Scribe:
Bach, Johann Sebastian (1685–1750)
Date (exact):
Gruppe 1: um 1742; Gruppe 2 und 3: um 1742-1746 (Kobayashi Chr., S. 51f.)

Source Type:
Score, single manuscript within composite manuscript (Original source)
relation from source:
has complement D-B Mus.ms. Bach P 200/1, Faszikel 1
has complement D-B Mus.ms. Bach P 200/1, Faszikel 2
has complement D-B Mus.ms. Bach P 200/1, Faszikel 3
Extend, Dimensions (cm):
20 leaves, 33 x 21 cm
Period of origin:
middle of the 18th century (ca. 1740–1759)
Place:
Leipzig
Provenance:
J. S. Bach – ? – C. P. E. Bach – C. F. G. Schwencke (1805) – G. Poelchau (1824) – Berlin, Königliche Bibliothek (1841) – jetzt Berlin, Staatsbibliothek zu Berlin – Preußischer Kulturbesitz, Musikabteilung
Description of watermark:
Gruppe 1 (S. 1-24): Weiß Nr. 67;
Gruppe 2 (S. 25-32; S. 33-34 + S. 39-40): Weiß Nr. 65;
Gruppe 3 (S. 35-38): a) Wappen der Stadt Eger, darüber in Schrifttafel EGER, auf Steg; b) CCS, doppelstrichig, in Schrifttafel = Weiß Nr. 21
Comments:
Die Beilagen werden heute unter der Signatur Mus.ms. Bach P 200/1 aufbewahrt (Beilage 3 enthält ein Fehlerverzeichnis von C. P. E. Bach).

Described in NBA, Critical report:
VIII/2, S. 20ff.
Literature:
Engler, S. 86; P. Wollny, in: BJ 1996, S. 14

Reproductions in the Bach-Archiv:
QK A XII 1/1 (Xerox)
QK-Gö D-B P 200 (Xerox)
MF Ia, 22:10 (Film)
MF-Gö D-B Mus.ms. Bach P 200 (Film)
Evidences:
CPEB NV 1790, S. 67 [1]: "Die Kunst der Fuge in origineller Handschrift."; Kat. Schwencke 1824, S. 15, Nr. 233; Kat. Poelchau 1832, S. 19
RISM-ID:
467020000
Static URL
https://www.bach-digital.de/receive/BachDigitalSource_source_00001071 [XML] [JSON-LD]
Editor
Übernahme von www.bach.gwdg.de
Last changed
2019-09-19 : 10:12:53