Berlin, Staatsbibliothek zu Berlin – Preußischer Kulturbesitz

External digital copy

D-B Mus.ms. Bach P 200

a thumbnail of the image
flyleaves and title page (J. C. Altnickol)
a thumbnail of the image
1. early version of Contrapunctus I (BWV 1080/1)
a thumbnail of the image
2. early version of Contrapunctus III (BWV 1080/3)
a thumbnail of the image
3. early version of Contrapunctus II (BWV 1080/2)
a thumbnail of the image
4. early version of Contrapunctus V (BWV 1080/5)
a thumbnail of the image
5. early version of Contrapunctus IX (BWV 1080/9)
a thumbnail of the image
6. Contrapunctus a 4 (BWV 1080/10a) = early version of Contrapunctus X (BWV 1080/10)
a thumbnail of the image
7. variant of Contrapunctus VI (BWV 1080/6)
a thumbnail of the image
8. variant of Contrapunctus VII (BWV 1080/7)
a thumbnail of the image
9. Canon in Hypodiapason
early version of Canon alla Ottava (BWV 1080/15)
a) Canon clausus
a thumbnail of the image
β) Resolutio Canonis
a thumbnail of the image
10. early version of Contrapunctus VIII (BWV 1080/8)
a thumbnail of the image
11. early version of Contrapunctus XI (BWV 1080/11)
a thumbnail of the image
12. Canon in Hypodiatesseron, al roverscio e per augmentationem
α) Canon apertus
a thumbnail of the image
β) Canon clausus
a thumbnail of the image
13. early version of Contrapunctus XII (BWV 1080/12)
a thumbnail of the image
14. early version of Contrapunctus inversus a 3 (BWV 1080/13)
a thumbnail of the image
15. Canon al roverscio et per augmentationem
early version of Canon per Augmentationem in Contrario Motu (BWV 1080/14)

Catalogue raisonné:
BWV / Bach-Werke-VerzeichnisBWV 1080
Link to works:
BWV 1080

Scribe:
Bach, Johann Sebastian (1685–1750)
Date (exact):
Gruppe 1: um 1742; Gruppe 2 und 3: um 1742-1746 (Kobayashi Chr., S. 51f.)

Source Type:
Score, single manuscript within composite manuscript (Original source)
Extend, Dimensions (cm):
20 leaves, 33 x 21 cm
Period of origin:
middle of the 18th century (ca. 1740–1759)
Place:
Leipzig
Provenance:
J. S. Bach – ? – C. P. E. Bach – C. F. G. Schwencke (1805) – G. Poelchau (1824) – Berlin, Königliche Bibliothek (1841) – jetzt Berlin, Staatsbibliothek zu Berlin – Preußischer Kulturbesitz, Musikabteilung
Description of watermark:
Gruppe 1 (S. 1-24): Weiß Nr. 67;
Gruppe 2 (S. 25-32; S. 33-34 + S. 39-40): Weiß Nr. 65;
Gruppe 3 (S. 35-38): a) Wappen der Stadt Eger, darüber in Schrifttafel EGER, auf Steg; b) CCS, doppelstrichig, in Schrifttafel = Weiß Nr. 21
Comments:
Die Beilagen werden heute unter der Signatur Mus.ms. Bach P 200/1 aufbewahrt (Beilage 3 enthält ein Fehlerverzeichnis von C. P. E. Bach).

Described in NBA, Critical report:
VIII/2, S. 20ff.
Literature:
Engler, S. 86; P. Wollny, in: BJ 1996, S. 14

Reproductions in the Bach-Archiv:
QK A XII 1/1 (Xerox)
QK-Gö D-B P 200 (Xerox)
MF Ia, 22:10 (Film)
MF-Gö D-B Mus.ms. Bach P 200 (Film)
Evidences:
CPEB NV 1790, S. 67 [1]: "Die Kunst der Fuge in origineller Handschrift."; Kat. Schwencke 1824, S. 15, Nr. 233; Kat. Poelchau 1832, S. 19
RISM-ID:
467020000
Static URL
https://www.bach-digital.de/receive/BachDigitalSource_source_00001071 [XML] [JSON-LD]
Editor
Übernahme von www.bach.gwdg.de
Last changed
2019-04-22 : 01:35:43