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Fugues (over own and third party themes)

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Date of origin, Work history

vermutlich Vor-Arnstädter Zeit (früheste Quelle frühes 18. Jahrhundert)

Das Thema der Fuge stammt aus der Triosonate op. 1, Nr. 8 (2. Satz) von Tommaso Albinoni.

relation from other works

has revision BWV 951.2BWV 951

Comment

Tommaso Albinoni, "Suonate a tre, doi violini, e violoncello col basso per L’organo [...] opera prima" (Venedig [1694]).

edition essential source: D-LEb Peters Ms. R 16, Faszikel 8 (Depositum im Bach-Archiv) [Score]
Additional sources: A-Sd MN 104, Faszikel 1 [Score]
A-Wgm VII 45327 (Q 11500), Nachlass Brahms [Score]
D-B Am.B 606 [Score]
D-B Mus.ms. Bach P 1086 [Score]
D-B Mus.ms. Bach P 213, Faszikel 4 [Score]
D-B Mus.ms. Bach P 288 [Konvolut] [Score]
D-B Mus.ms. Bach P 288, Faszikel 10 [Score]
D-B Mus.ms. Bach P 304, Faszikel 2 [Score]
D-LEm Poel. mus. Ms. 27 [Score]
D-LEm Poel. mus. Ms. 9 [Score]
GB-DRc MS E24, Faszikel 10 [Score]
Verschollen BWV 951 oder 579, Versteigerungskatalog Erfurt 1810 [Score]
Verschollen BWV 951a (1), F. Hauser [unknown]
Verschollen BWV 951a (2), E. Grell [unknown]
Verschollen BWV 951a, K. C. Kegel [Score]

Edition

NBA V/9.2, S. 127 (Uwe Wolf, 1999) – Critical report (2000), S. 255

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Last changed: 2023-04-24 09:15:38