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Arrangements

Genre

Scoring

Organ

Date of origin, Work history

1714‒1716 (autographe Schriftformen)

Als Vorlage diente das Concerto d-Moll op. 3 Nr. 11 (RV 565), Erstdruck Amsterdam [1711], für 2 Violinen, Violoncello, Streicher und Basso continuo von Antonio Vivaldi.

Comment

arrangement of the concerto in d minor op. 3 no. 11 (RV 565) for 2 violins, cello, strings and basso continuo of Antonio Vivaldi

Original sources: D-B Mus.ms. Bach P 330 [Score]
Additional sources: D-B Mus.ms. Bach P 289 [Konvolut] [Score]
D-B Mus.ms. Bach P 289, Faszikel 9 [Score]
D-Bsa SA 3261, Faszikel 1 [Score]
D-Bsa SA 3261, Faszikel 2 [Part(s)]
D-Bsa SA 4718 [Score]
D-LEb Go. S. 360 [Score]
D-LEb Rara II, 866-H [Score]
D-Zl Ps.fol. 238-10 [Score]
D-Zsch 11509-A1 [Score]
US-NH LM 4842, Faszikel 8 [Ma21.Y11.B12] [Score]
Verschollen BWV 593 (oder 594, 596), C. S. Gähler (1) [Score]
Verschollen BWV 593 (oder 594, 596), C. S. Gähler (2) [Score]
Verschollen BWV 596 (1), J. N. Schelble [unknown]
Verschollen BWV 596 (2), J. C. L. Kittel [unknown]
Verschollen BWV 596 (3), J. P. Kellner [unknown]
Verschollen BWV 596 (4), J. M. v. Radowitz [unknown]

Edition

NBA IV/8, S. 3 (Karl Heller, 1979) – Critical report (1980), S. 21

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Last changed: 2023-05-04 12:20:17