Bach digital -

Without Designation/For all times (in ogni tempore), Wedding (Bridal Mass), without assignment

Genre

Scoring

Sopran solo, Alt solo, Tenor solo, Bass solo, Sopran, Alt, Tenor, Bass, Corno I, Corno II, Timpani, Flauto traverso, Oboe d'amore, Violine I, Violine II, Viola, Basso continuo

Date of origin, Work history

um 1734–1735

Date of composition around 1734–1735, likely as a wedding cantata for an entire nuptial mass (compare with BWV 117, 192, and 250–252). Subsequent performance around 1737, as evidenced by scribes J. G. Heinrich, J. W. Machts, G. T. Krauß, and J. L. Dietel. Another performance around 1742, indicated by scribe G. H. Noah and autograph figured bass for a transposed organ part. Further performances by C. P. E. Bach in Hamburg, with entries for copyists on the cover of the autograph score. Movements 1 and 6 originate from BWV 99/1 and BWV 75/7 and 14, respectively, and are expanded in the orchestral arrangement

relation to other works:

is part of BWV diverse [o.Jg.]

relation from other works:

has arrangement in BWV 100/6 (o.Zw.) ChSBC F deest (F 193)

Link to videos:

Libretto

Chorale

Satz 1 und 6:
Samuel Rodigast, "Was Gott tut, das ist wohlgetan", Entstehungszeit 1675
in: Das Hannoverische ordentliche vollständige Gesangbuch, Göttingen 1676 (erschienen 1677)

Original sources: D-B Mus.ms. Bach P 159 [Score]
D-B Mus.ms. Bach St 97 [Part(s)]
Additional sources: Verschollen BWV 100, F. C. Griepenkerl [Score]
Verschollen BWV 100, Voß-Buch [identisch mit D-B Mus.ms. Bach St 97, Gruppe 2] [Score]

Edition

NBA I/34, S. 239 (Ryuichi Higuchi, 1986) – Critical report (1987), S. 101;

BG 22, S.279 (W. Rust, 1875)

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Last changed: 2024-04-29 11:13:10