Bach digital -

Without Designation/For all times (in ogni tempore), Weimar Cantatas

Other catalogues

Genre

Scoring

Sopran solo, Alt solo, Tenor solo, Bass solo, Sopran, Alt, Tenor, Bass, Tromba I, Tromba II, Tromba III, Timpani, Oboe, Violine I, Violine II, Viola, Fagotto, Basso continuo

Date of origin, Work history

vor Dezember 1713

First performance December 1713?; subsequent performance June 17, 1714 (autograph date). The preserved eleven-movement version as a revision and extension of a cantata composed before 1713 suggests performances in C minor in high chamber pitch (probably outside of Weimar, around 1713 as a trial piece for Bach's application in Halle) and in C minor (Chorton) (for the 3rd Sunday after Trinity 1714 in the Weimar Castle Church; solo and duet movements in the sense of a dialog between tenor and bass assigned). The Psalm movements 2, 6, and 9 as well as the final chorus are apparently of older origin

Early performances

1714-17-06, Weimar, Himmelsburg (Schlosskirche) (Link to event)
Predigt: Johann Georg Layritz
EA Dezember 1713?;

relation to other works:

is part of BWV diverse [W. Kant.]

relation from other works

has revision BWV 21.2BWV 21BC A 99b

Link to videos:

Author Libretto

Franck, Salomon (1695-1725) ?

Libretto

Presumably (at least in part) by Salomo Franck. Movement 2: Psalm 94, 19. Movement 6: Psalm 42, 12. Movement 9: Psalm 116, 7 and Wer nur den lieben Gott lässt walten (Georg Neumark, date of composition 1641; first print 1657), stanzas 2 and 5. Movement 11: Revelation 5, 12–13. Text print Zerbst 1726

Author Chorale

Neumark, Georg (1621-1681)

Chorale