Bach digital -

Berlin, Staatsbibliothek zu Berlin – Preußischer Kulturbesitz

D-B Mus.ms. Bach St 354
External digital copy

olim: D-B Mus.ms. Bach St 56a

Cover

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Soprano
(group 1)

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Alto
(group 1)

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Tenor
(group 1)

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Bass
(group 1)

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Trumpet I
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Trumpet II
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Trumpet III
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Oboe
(group 1)

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Violin I
(group 1)

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Violin II
(group 1)

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Viola
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Violoncello
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Organ (figured)
(group 1)

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Soprano
(group 2)

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Violin I
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Violin II
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Viola
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Bassoon
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Violoncello
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Tenor. Ripieno
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Bass. Ripieno
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Trombone II
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Trombone III
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Trombone IV
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Oboe
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Basso continuo (transp., figured)
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Alto
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Oboe
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Catalogue raisonné:

BWV / Bach-Werke-Verzeichnis

BWV 21 (1., 2. und 3. Fassung)

Link to works:

BWV 21.1; BWV 21.2; BWV 21.3

Scribe:

Bach, Johann Sebastian (1685–1750)
Schubart, Johann Martin (1690–1721)
Bach, Johann Lorenz (1695–1773)
Döbernitz, Johann (1658–1735)
Anon. W 8
Anon. W 9
Anon. W 12
Gottschalck, Emanuel Leberecht († 1727)
Göbel, Johann Jeremias († 1729)
Kuhnau, Johann Andreas (1703–nach 1745)
Meißner, Christian Gottlob (1707–1760)
Anon. Ic

Scribe (in detail):

1st group: J. S. Bach, J. M. Schubart (= Anon. M 1 = Anon. Weimar 1), J. Lorenz Bach (= Anon. Weimar 2), J. Doebernitz (= Anon. Weimar 3), Anon. W 8, Anon. W 9;
2nd group: J. S. Bach, Köthen scribe (E. L. Gottschalck?);
3rd group: J. A. Kuhnau, C. G. Meißner, Anon. Ic;
4th group (a): Anon. W 12;
4th group (b): J. J. Göbel

Date (exact):

1714 - 1723

Source Type:

Part(s), single manuscript (Original source)

Extent, Dimensions (cm):

65 leaves and 4 half leaves, Gruppe 1: 33,5 x 20 cm; Gruppe 2: 33 x 20 cm; Gruppe 3: 35 x 21,5 cm; Gruppe 4a: 33 x 20,5 cm; Gruppe 4b: 33 x 20 cm

Period of origin:

first half of the 18th century (ca. 1720–1739)

Place:

Weimar, Köthen, Leipzig

Title of source:

Provenance:

J. S. Bach – C. P. E. Bach – C. F. G. Schwencke – C. O. Ph. von Voß (jun.) (1824) – Voß-Buch – Königliche Bibliothek zu Berlin (1851), jetzt Staatsbibliothek zu Berlin – Preußischer Kulturbesitz, Musikabteilung

Description of watermark:

Gruppe 1: Weiß Nr. 43;
Gruppe 2: a) leer; b) im Kreis Fisch (nach links oder rechts?); darunter Wellenlinie, darüber E N, doppelstrichig, auf Steg = Weiß Nr. 9;
Gruppe 3: a) IMK in Schrifttafel; b) Kleiner Halbmond, zum Falz gerichtet = Weiß Nr. 97;
Gruppe 4a: undeutliches WZ (D oder P und H; Doppelpapier);
Gruppe 4b: Weiß Nr. 51 (singulär)

Link to watermark:

Master copy:

Gruppe 1: Verschollene Originalhandschriften BWV 21;
Gruppe 2: D-B Mus.ms. Bach St 354: Gruppe 1, Verschollene Originalhandschriften BWV 21?;
Gruppe 3: D-B Mus.ms. Bach St 354: Gruppe 1, Verschollene Originalhandschriften BWV 21?;
Gruppe 4a: D-B Mus.ms. Bach St 354: Gruppe 1, Verschollene Originalhandschriften BWV 21?;
Gruppe 4b: D-B Mus.ms. Bach St 354: Gruppe 1

Comments:

Vorhandene Stimmen:
Gruppe 1 (Weimarer Fassung): S, A, T, B, Tromba I, II, III, Oboe (in c), Violine I, II (in c), Viola (in c), Violoncello (in c), Orgel (in c);
Gruppe 2 (Köthener Fassung): S, Violine I, II (in d), Viola (in d), Fagotto (in d), Violoncello (in d);
Gruppe 3 (Leipziger Fassung): T rip, B rip, Trombone II, III, IV (in b), Oboe (Dublette, in c), Basso continuo (in b);
Gruppe 4a (Zugehörigkeit ungewiss, Weimarer Zeit?): Oboe (in d);
Gruppe 4b (Köthener Zeit): A (rip)

In mehreren Stimmen lässt sich anhand von Kopisten-Merkzeichen die Herstellung von ZWEI verschiedenen Partituren (verschollen) verfolgen.

Description in complete edition, Critical report:: I/16, S. 99ff.
Literature:: Dürr St 2, S. 26ff.; Dürr BJ 1987, S. 151ff.; Faulstich, Nr. 400; M. Maul und Wollny BJ 2003, S. 97-99 [zum Schreiber der Altstimme und Auff. in Köthen]