• Berlin, Sing-Akademie zu Berlin

D-Bsa SA 712, Faszikel 2
External digital copy

olim: ZC 742; [C III 742 /] 1341
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  • Part 1:
    Soprano
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  • Soprano Ripieno
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  • Alto
    (Seydel)
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  • Alto
    (Delver)
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  • Tenor
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  • Tenor Ripieno
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  • Bass
    (Illert)
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  • Bass
    (Hoffmann)
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  • Violin I
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  • Violin I
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  • Violin II
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  • Violin II
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  • Viola
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  • Violoncello
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  • Violoncello
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  • Organ (figured)
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  • Oboe / Flute I
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  • Oboe / Flute II
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  • Clarion I
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  • Clarion II
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  • Clarion III
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  • Timpani
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  • Part 2:
    Soprano
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  • Alto
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  • Tenor
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  • Bass
    (Illert)
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  • Bass
    (Hoffmann)
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  • Violin I
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  • Violin I
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  • Violin II
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  • Violin II
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  • Viola
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  • Bass & Violoncello
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  • Violoncello
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  • Organ (figured)
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  • Flute I
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  • Flute II
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  • Trumpet I
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  • Trumpet II
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  • Trumpet III
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  • Timpani
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Catalogue raisonné:
  • BR-CPEB / Bach-Repertorium Carl Philipp Emanuel Bach
  • H / Helm-Verzeichnis
  • Wq / Wotquenne-Verzeichnis
 BR‑CPEB Fp 57
H 821k
Wq deest
Works (not family of Bach):
  • - Satz 1: G. A. Benda, Kantate "Ich will den Namen des Herrn preisen" L 603, Satz 1
    - Satz 3: C. P. E. Bach, Einführungsmusik Gerling BR-CPEB Fp 54.1 / H 821h, Satz 10 "Berge weichen, Hügel fallen"
    - Satz 6: C. P. E. Bach, "Der Gerechte, ob er gleich stirbt" BR-CPEB Fp 24.1 / H 818, Satz 3 "Freuden, die mein Herz nicht kennt"
    - Satz 9 u. 10: Vorlagen bislang nicht ermittelt
Link to works:
BR-CPEB Fp 57.1
Scribe:
Michel, Johann Heinrich (1739–1810)
Bach, Carl Philipp Emanuel (1714–1788)
Scribe (in detail):
  • J. H. Michel, mit Eintragungen und Korrekturen von C. P. E. Bach (die spätere Fassung betreffend)
Date (exact):
  • 1782/1786
Source Type:
Part(s), single manuscript within composite manuscript (Original source)
Extent, Dimensions (cm):
41 Stimmen / 83 Blätter, 32,5-33 x 20,5-21 cm
Period of origin:
  • second half of the 18th century (ca. 1760–1789)
Place:
  • Hamburg
Provenance:
C. P. E. Bach – A. C. P. Bach – G. J. D. Poelchau (1805) – Berlin, Sing-Akademie – [1943 ausgelagert] – Kiewer Konservatorium – Kiew, Archiv-Museum für Literatur und Kunst der Ukraine (1973) – Berlin, Staatsbibliothek zu Berlin – Preußischer Kulturbesitz, Musikabteilung (Depositum seit 2001)
Description of watermark:
  • nur 2. Teil: teilweise J KOOL (WZ 257), sonst nur Steglinien
Comments:
  • 41 handschriftliche Stimmen (1. Teil: 22, 2. Teil: 19):
    1. Teil (22): S, S ripieno, A (Herr Seydel), A (Herr Delver), T, T ripieno, B (Herr Illert), B (Herr Hoffmann); Tromba I, II, III, Timpani, Oboe I, II, Violine I (2x), Violine II (2x), Viola, Violoncello (2x), Orgel (beziffert);
    2. Teil (19): S, A, T, B (Herr Illert), B (Herr Hoffmann); Tromba I, II, III, Timpani, Flauto I, II, Violine I (2x), Violine II (2x), Viola, Basso e Violoncello, Violoncello, Orgel (beziffert);
    Die Eintragungen und Korrekturen von C. P. E. Bach betreffen die Croppsche Fassung (1786).

    Bleifoliierung: Teil 1: fol. 17-70 (fol. 18v, 23v, 38v, 42v, 50v und 58v nur rastriert; fol. 34v, 46v und 54v leer); Teil 2: fol. 1-29 (fol. 5v und 7v nur rastriert; fol. 1v, 2v, 3v, 9v, 11v, 13v, 15v, 17v, 24v, 25v, 26v, 27v, 28v und 29v leer)
    Neben Stimmenbezeichnung jeweils noch "Vor der Predigt" bzw. "Nach der Predigt".
Literature:
Enßlin 2006, S. 139f.; Miesner, S. 88
Reproductions in the Bach-Archiv:
QK C 61/4 (Xerox)
Evidences:
CPEB NV 1790, S. 58 [4]; CPEB AK 1805, Nr. 28; Kat. Zelter 1832, [C III 742 /] 1341
RISM-ID:
469071200
persistent ID
BachDigitalSource_source_00005560
Static URL
https://www.bach-digital.de/receive/BachDigitalSource_source_00005560
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Editor
  • A. Hammes
  • Ulrike Wolf
Last changed
2021-06-03 01:22:44
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