Bach digital -

Fifteenth Sunday after Trinity, Cantata Cycle I (1723/1724)

Other catalogues

Genre

Proper

Scoring

Sopran solo, Alt solo, Tenor solo, Bass solo, Sopran, Alt, Tenor, Bass, Oboe d'amore I, Oboe d'amore II, Violine I, Violine II, Viola, Basso continuo

Date of origin, Work history

vor dem 05. September 1723

First performance on September 5, 1723. Movement 4 served as the source for the parody in BWV 236/3

Early performances

1723-05-09, Leipzig, St. Nicholas Church (Premiere) (Link to event)
Predigt: Salomon Deyling

relation to other works:

is part of BWV diverse [1. Jg.]

Link to videos:

Libretto

Was betrübst du dich, mein Herz (Strasbourg, around 1545), stanzas 1–3 (within movement 1 and 3 as well as movement 6); compilation and free verse (author unknown)

Chorale

Satz 1, 3 und 6:
Verfasser unbekannt, "Warum betrübst du dich, mein Herz", um 1545, Strophen 1–3

Chorale

Satz 1, 3 und 6:
Verfasser unbekannt, "Warum betrübst du dich, mein Herz", um 1545, Strophen 1–3

Chorale

Satz 1, 3 und 6:
Verfasser unbekannt, "Warum betrübst du dich, mein Herz", um 1545, Strophen 1–3

Original sources: D-B Mus.ms. Bach P 158 [Score]
Additional sources: D-B Mus.ms. Bach P 1041 [unknown]
D-B Mus.ms. Bach P 1159/V, Faszikel 1 [Score]
D-B Mus.ms. Bach P 191 [Score]
D-B Mus.ms. Bach P 857 [Score]
D-LÜh Mus. A 310 [Score]
PL-Wu RM 5909 [Konvolut] [Score]
PL-Wu RM 5909, Faszikel 3 [Score]
Verschollen BWV 138, C. v. Winterfeld Nr. 298 [Score]
Verschollen BWV 138, J. Fischhof [Score]
Verschollen Sing-Akademie BWV 138 (1), Partitur [Score]
Verschollen Sing-Akademie BWV 138 (2), Stimmen [Part(s)]
[Verschollen Kantatenabschriften, C. v. Winterfeld] [Score]

Edition

NBA I/22, S. 1 (Matthias Wendt, 1987) – Critical report (1988), S. 11;

BG 28, S.199 (W. Rust, 1881)

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Last changed: 2024-06-13 12:46:07