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Twenty-second Sunday after Trinity, Cantata Cycle III (1725-1727)

Genre

Proper

Scoring

Tenor solo, Sopran, Alt, Tenor, Bass, Flauto traverso, Oboe d'amore, Violine I, Violine II, Viola, Basso continuo

Date of origin, Work history

vor dem 17. November 1726

First performance on November 17, 1726. Movements 3-5 likely stem from an older source (the autograph score shows two layers of sources, with only movements 1-2 presumably being new compositions)

Early performances

1726-17-11, Leipzig, St. Thomas Church (Premiere) (Link to event)
Predigt: Christian Weise d. Ä.

relation to other works:

is part of BWV diverse [3. Jg.]

relation from other works:

is adapted in BWV 55/5 ChSBC F 206.5a/b

Link to videos:

Author Libretto

Birkmann, Christoph (1703-1771)

Libretto

C. Birkmann. Movement 5: Werde munter, mein Gemüte (J. Rist, 1642), stanza 6. Printed text: Birkmann 1728, page 137

Author Chorale

Rist, Johann (1607-1667)

Chorale

Original sources: D-B Mus.ms. Bach P 105 [Score]
D-B Mus.ms. Bach St 50 [Part(s)]
edition essential source: D-Nst Will II, 1413 8° [Textdruck] [Libretto]
Additional sources: D-B Mus.ms. Bach P 1159/XIII, Faszikel 4 [Score]
D-B Mus.ms. Bach P 454, Faszikel 3 [Score]
PL-WRu 60005 Muz. [Score]
Verschollen Choralsammlung [Score]
Verschollen Choralsammlung [Score]

Edition

NBA I/26, S. 55 (Andreas Glöckner, 1994) – Critical report (1995), S. 52;

BG 12/2, S.75 (W. Rust, 1862)

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Last changed: 2024-03-05 11:04:08